Friday 31 December 2010

31 North 62 East, One Magic Christmas, The Gruffalo

Bonus post! I've actually seen about 2890 films this holiday period, and that means that there's no point in waiting til Sunday to post these extra three. Also, I apologise for my grumpy-seeming reviews :D

#1 - 31 NORTH 62 EAST

Stars - John Rhys-Davies, Marina Sirtis, Craig Fairbrass, Heather Peace

Director - Tristan Loraine

Memorable Quote - 'Okay, let's nail these bastards.'

Review - Set in an alternate reality where John Prescott seems to be Prime Minister, this film was quite clearly filmed on a tighter budget than its director would have like - though it's difficult to see where anyone was able to sink the $3 million that were apparently wasted on it. The shooting style is primitive, the acting is poor at best, and the most extensive effects involve a fan and some miniature flags that are not as long as you are supposed to believe. The entire thing seems to be a car advert, since those are the only things that we actually see clearly in almost every scene: at one point the Prime Minister is talking to someone from Eastenders and the only thing in focus is a telephone on his desk. The lighting is so badly done that some scenes are tinted orange, whilst others are coated in totally inappropriate and amateurish shadows. Many of the scenes also fade into a tacky black screen before we experience a timeskip, possibly the clumsiest use of this technique that I have ever seen - and I've been watching Australian soaps for all of my twenty years, for Christ's sake. I can see that there was some political motivation, but this was lost in the ridiculously melodramatic script and, of course, the cop-out of using false events and made-up characters. The soundtrack does not survive either, descending into absurdity about halfway in, as we are suddenly introduced to brash, over-loud, over-cheesy American rubbish blared out over a supposedly touching graveyard scene, simply because it contains a vague line about a sister. TACKY. The casting was confusing, given that two characters were played by the same person, and the entirety of the ending was a completely unnecessary twist. Seriously, one of the first rules of a story, whether it is a novel or a play or a film, is that tragedy only works if the character stays dead. Since she was alive all along I don't care any more, and I find her quite merciless given that she was willing to go torture someone innocent and let the entire population of the UK see that you're able to get results by doing that, given what she had gone through. A valiant effort, I suppose, but really not worth the waste of two hours or so of your life. 1/5

#2 - One Magic Christmas

Stars - Harry Dean Stanton, Mary Steenburgen, Elisabeth Harnois

Director - Phillip Borsos

Memorable Quote - 'Well, uh, I'm an angel. A Christmas angel.'

Review - I don't mean to be the Christmas grinch or anything, but I really don't understand what is wrong with the people who run television in this country. First they cancel Kingdom, and now this! Who on earth would put this on television? It's one of the creepiest and worst things I have seen in quite some time. No surprise, then, that it was released slap bang in the middle of the eighties, that renowned era of classy movies. This one is basically about a little girl who talks to a stranger on the street, a creepy man in an overcoat who claims to be an angel called Gideon. Being naive and having not been warned against such gentlemen, she believes him, and later allows him to sit in her bedroom and such things. Hey kids, this movie says, if a man approaches you in the street, don't worry! He's a Christmas angel! If you do everything he asks you to then your Daddy won't die! Um, yeah. Moral questionability aside, it isn't even a good or logical plot - this so-called Christmas angel allows a hell of a lot of horrible things to happen to the mother so that she will damn well learn to appreciate Christmas, damn her. She's so scared by it all she ends up spending $50 on a cooker that she doesn't need, even though her family are about to be evicted from their home. I can't actually believe I sat there and watched this whole thing. 1/5

#3 - The Gruffalo

Stars - Robbie Coltrane, Helena Bonham Carter, James Corden, Rob Brydon, John Hurt

Director - Max Lang, Jakob Schuh

Memorable Quote - 'A gruffalo? What's a gruffalo?'

Review - Chucking this one in here for a bit of relief, since I think this post needs it. Needless to say, being over the age of ten, I did not think I was ever going to watch this, but Christmas TV being what it is I ended up doing so. I usually hate James Corden as well, so when the mouse opened his mouth it nearly ruined the whole thing for me. Sticking with it though, I ended up enjoying it quite a bit. Of course you enjoy in a fond sort of way, as an adult looking at a child's story, but that doesn't necessarily devalue it at all. The graphics are all very cute and enchanting, the characters are played perfectly by a high-flying cast and the story itself is, of course, magical. So, much much better than both of the movies above, even if it is only a fraction of their length. Something to show to kids everywhere, who will no doubt fall in love with this plucky mouse and his skill at outwitting such a fearsome beast. 4/5

Sunday 26 December 2010

Evan Almighty, Tenderness, Mr North

Here's week two of the new update schedule... and as you can see, I am still doing fine. Christmas TV is wonderful, isn't it? There's always an opportunity to watch a film from the past that you've seen a million times before, or a chance to catch something new. Possibly the best thing about this is that it's the one time of year that you're most likely to have time to watch them. Happy Christmas, by the way.

#1 - EVAN ALMIGHTY

Stars - Steve Carrell, Morgan Freeman, John Goodman, Jonah Hill

Director - Tom Shadyac

Memorable Quote - Rita: Evan, what happened? Did you fall in a mine shaft?
Evan: No.
Rita: Did you just come out of a coma?
Evan: No.
Rita: Were you attacked by a werewolf?
Evan: No, I wasn't.
Rita: Well, if you were going for that rugged look, I think you over-shot it.

Review - This is something I've seen before, but somehow never managed to review. It's a bit of a classic in terms of silly comedies, I suppose, and though it is all God-themed and the like it's something that I can accept and watch without too much of a problem. There is of cause the greatest casting decision of all time carried over from Bruce Almighty, ie Morgan Freeman being God (because he kinda is). In terms of comic value this is a whole different kettle of fish from Bruce, given that Jim Carrey's style is so unique and recognisable (and also marmite-like). I'd suggest that people who did not like Bruce would still have the chance to find Evan funny, as it registers on a whole different level. This is nothing more than good, clean family fun, and the little touches (the 'dance', the end title sequence, the characterisation of the different animals) are enough to keep it funny after many rewatches. It is not highbrow and it is not something that will make you think particularly, but the genius is that it presents Christianity in a way that would be easy for an audience of any faith to enjoy. You don't have to believe in God to have a chuckle at Morgan Freeman. This is good for a night in after a bad day, and though there are certain areas that drag once you know what happens in them, it is not something that I would ever turn off in disgust. 3.5/5

#2 - TENDERNESS

Stars - Russell Crowe, Jon Foster, Sophie Traub

Director - John Polson

Memorable Quote - 'Today could be different. Today something just might change.'

Review - This movie just... failed so hard. It could have been amazing. For God's sake, the story was amazing. But then you make it all so emotionally distant that there's nothing to care about, you make the female lead so unattractive and annoying that I don't care what the hell happens to her, and you stick in Russell Crowe - no doubt for publicity - in a role that does nothing at all for the storyline except interrupt it. I would also like to add that I HATE with a passion the current trend of having blonde, unconventional women with no eyebrows to speak of and strange lips as models, actresses, etc etc. It's not a good look. Very unhappy with this - we could have got deep into the strange psychological relationship between Eric and Lori, why Eric felt the need to kill and what his background was, and more on his relationship with his aunt/parents/etc, but all of that was ignored in favour of... what? Lots of shots of Russell Crowe driving around and looking at a sick woman? Why? I was not at all suprised to find that it was based on a novel, and I think I'm going to pick that novel up; after all, it is not the story that is at fault here but the director. Stupid choices ruined something with great potential. 2/5

#3 - MR NORTH

Stars - Anthony Edwards, Robert Mitchum, Lauren Bacall, Anjelica Huston, Harry Dean Stanton

Director - Danny Huston

Memorable Quote - 'Madam, I suggest that you encourage your children to play with matches!'

Review - This movie starts off rather strangely and carries on in much the same way. It feels as though it was made a lot earlier than it was, which I suppose is a testament to the skill of the director for placing it in the 1920s and making that seem natural. The little special effects of the electricity are a touch tacky, of course, but this is the eighties we're talking about. I felt it was a little mismatched to have a youthful looking Edwards opposite the clearly older Huston, but it's not the first time such a gap has been cast, nor indeed is it untrue to reality. It made much more sense for him to be paired with Sally or Sarah or whatever the hell her name is actually supposed to be. The chase/trial sequence lost me quite a bit due to its overall ridiculousness, and while the chase did have comic value there was only legal inaccuracy in the court scene and not much else of any value to speak of. It's not something I will leap to watch again, once was quite enough. Not really what you would call a classic of our times. 2/5

Friday 17 December 2010

Magnum Force, SommerSturm, The Curious Case of Benjamin Button

A new initiative starting from this week is the idea of regular updates. From here on in I will be updating every Sunday, schedule permitting. It might be a Saturday, it might be a Monday, but as far as I am able I will be updating on a weekly basis. But, you might say, surely I can't guarantee that I will watch three movies every week? Well, that's fine, because I will also be padding out with movies that I have already seen and somehow failed to review, as well as re-reviewing those from the 'three word review' times. So, in other words, a lot of old movies coming up, chaps. Also, if you think there's something I really need to watch that it is a crime to not have reviewed here, drop me a line! I'm completely open to suggestions, especially considering that I'll be using a lovely little free trial rental service I have in the new year.

#1 - MAGNUM FORCE

Stars - Clint Eastwood, Hall Holbrook, David Soul, Felton Perry

Director - Ted Post

Memorable Quote - 'A man's gotta know his limitations.'

Review - Harry Callahan is back, and he is even less to be messed with. This starts off quite promisingly, with first of all a murder and second of all Harry single-handedly taking down a team of plane hijackers. It does not quite pack the same punches as 'Dirty Harry' in terms of catchphrases and in terms of awesome final scenes, and I felt a little bit like things were repeated too much. Of course it's still a good film, but it perhaps would have been better if there had not been a first movie to compare it to. Eastwood is dashing as ever, though it seems a little bit superfluous to have women throwing themselves at him quite so much - yes, he's attractive, we know, but there's no need to illustrate it so obviously. The plot became progressively more predictable as it went on, though I still think it was a little bit disappointing that Davis was revealed so early on... nitpicking, but anyway. I sound like I'm slating it, but I did enjoy it - I just have a very high expectation for Clint Eastwood movies, I suppose. I think that this ranks lower than 'Dirty Harry' in general, but that does not mean that it does not have any worth as a film at all, particularly as part of the series. And Callahan is still pretty damn cool. 3.5/5

#2 - SOMMERSTURM

Stars - Robert Stadlober, Kostja Ullman, Alicja Bachleda, Hanno Koffler

Director - Marco Kreuzpaintner

Memorable Quote - 'If you hide your whole life, you'll forget who you even are.'

Review - This is translated, as it were, from an old three-word review, and to be honest with you I can't really believe the fact that I haven't given it a full review here yet, because it is one of my top ten movies of all time, possible top five. I can't tell you how much I love this film. In my room I have an 'influence wall', where I have started adding prints of images of things that inspire me, and there are only five images on it so far: a still from SommerSturm, this still, is one of them. The whole piece is moving and emotional throughout, as we follow Tobi as he battles internally with the fact that he is in love with his best friend, Achim. For me, the highlights of the movie are the scene where he confesses the truth to Anke, the scene where he ends up with Leo the first time, and the summer storm itself with his final denial/confession. I recommend this for anyone who has ever been through adolescence or had a crush, because this is not just a coming out movie - it's a growing up movie. It's about nervousness and not being sure of who you are, and once you find out, learning to be comfortable with who that person is. The way it is filmed is also beautiful, and with small touches of humour alongside a soundtrack that perfectly suits the mood of the film, there is nothing that I can fault. Worth a watch, and a rewatch, and again. 6/5


#3 - THE CURIOUS CASE OF BENJAMIN BUTTON

Stars - Brad Pitt, Cate Blanchett

Director - David Fincher

Memorable Quote - 'I was thinking how nothing lasts, and what a shame that is.'

Review - Just like the film above, this is a re-do of a three word review, and I think it deserves more. I've read the short story by F Scott Fitzgerald, and I would have to say that they are almost unrecognizable when compared side by side. That said, I think it is important to take the film as an entity in its own right rather than comparing it. The storyline is enchanting, in a way that draws you in, making you ask questions and stay until those questions are answered. The effects are great, since one of the main things this relies on is making the an eighty year old man look like the same person as an eighteen year old, and making sure that everyone looks like Brad Pitt. I was amazed, actually, to see just how many people there were involved in playing Benjamin himself. The colour of the film overall is beautiful, giving it a feeling that lasts throughout and is almost nostalgic. Blanchett is also graceful and enchanting alongside Pitt, and her own transformation is also quite good. I think the best scene has to be where she gets hit by the car - the way that it is narrated and played out before us is impeccable. With a star cast and the influence of a classic author, this could have gone wrong as these things often do; but it did not - and this is a film that I fully recommend. 4/5

Monday 13 December 2010

Dexter Season 5 Special

Having said that I would begin to review television shows, I had a little bit of an ulterior motive. That's right - I want to share my Dexpert views on a series that has had me gripped since I first picked up watching it online last year: Dexter, a Showtime treat that has very rapidly become one of my favourite things to do of an evening.

#1 - DEXTER SEASON FIVE


Stars - Michael C. Hall, Jennifer Carpenter, Desmond Harrington, Julia Stiles, Johnny Lee Miller, Peter Weller, and more

Memorable Quote - 'Tick tick tick? That's the sound of your life running out.'
(Memorable Deb-ism: 'Fuck me in both ears.' and 'I would rather put a campfire out with my face.')

Review - We'll take series five in chronological order, and end with a general overview. First up was 'My Bad', an episode I had been looking forward to greatly. The last series ended in utter tragedy with Rita's death, and now the questions were many. How would Dexter deal with Rita's death? How could he balance being a single Dad to three kids with being a serial killer AND a blood splatter analyst? Most importantly, how were his colleagues going to react to him being targeted?

Their reaction, of course, is varied. Some take him as the main suspect thanks to his first words after the police arrive, seemingly a confession, though others - like his sister Deb - still believe in him. Although that faith is usually misplaced, here it is correct, and it is almost painful to watch Dexter face the possibility of being sent to jail for the one crime he did not commit. But this is episode one, and as a savvy viewer we can already begin to expect that he will get away without charges - though not without an emotional cost. The moment that Dexter realises, too late, that he was truly in love with Rita is the most heart-string-tugging moment of the entire series to date, and was very well done. Although Dexter may carry a dark passenger, he is not as emotionally dead as he thought, which will continue to bring an interesting spin to the rest of the season (and, no doubt, season 6).

Episode two, 'Hello Bandit', introduces a new bad guy to the screen, in what will eventually become a season-long arc. Boyd Fowler is the name of the man picking up roadkill and also indulging in a little spot of murder on the side, but Dexter does not yet realise what he is getting himself in to. In fact, his initial determination to be a good father and nothing more is thwarted completely this season, right from the start when he takes Harrison to investigate blood inside the van that will lead him to Boyd. This episode also sees the start of two other story arcs - the Santa Muerte case, and Debra's relationship with Quinn, which actually works perfectly. The two of them look good together and have real chemistry, as well as matching attitude problems, and we know that both of them understand what it is like to be lied to and to lose someone that they thought loved them. We see Astor turn into a brat and demand to leave in another demonstration of Dexter's newfound human emotions, and finally are introduced to the Barrel Girls for the first time. Although this episode seems to be mostly a way of moving the plot forward, there are small nuggets of brilliance - though I am beginning to become skeptical as to how Dexter manages to swing all this time tracking down killers without attracting attention.

'Practically Perfect' brings in a new character, Harrison's Irish nanny, Sonya. Fact fans will be amazed to know that this is the same actress that played Catherine of Aragon in The Tudors - I know, I had to Google it in surprise, too. Anyway, this is an episode full of tension as Dexter is nearly revealed for who he is when he attempts to kill Boyd and is tranquilised instead. Thankfully for him, he already gave a false name (Darrel Tucker), and Boyd most definitely has something to hide. For both of them, calling the police is not an option. Dexter clearly thinks that this is because of the previous killings, but one of the biggest shockers of the season comes when Lumen, at this point an unknown female, sees Dexter killing Boyd. This has to be one of the highlights of the entire series, as it propels the show into a new layout: previously it has been Dexter vs one big bad and one supposed ally who must be stopped for the length of a season (Ice Truck Killer/Brian and Doakes, then Doakes/Lila, then the Skinner/Miguel Prado, and lastly Trinity, who fulfilled both roles). This season, however, there are mulitple big bads who are all part of the same equation under Jordan Chase/Eugene Greer, but the ally is someone he can finally trust. He cannot kill an innocent, so it was clear from the outset that Lumen would either have to turn him in, or become his partner in crime, a transition that felt natural and genuine.

This was also the first episode for Sergeant Lopez, who played a disappointingly small role in the storylines. It was interesting to have a sort of mini-Deb for her to play off against, and I hope that character will be used more in the future. The argument between Batista and LaGuerta here was interesting character development, but something that I could not really care about. For me, it was simply distraction from the main events.

In 'Beauty and the Beast', Quinn is getting towards the ideas that we all were afraid of him getting to - the connection between Dexter and Kyle Butler, and more than that, the connection between Dexter and the death of Trinity. It is painful to watch him destroying his relationship with Debra as well as getting close to taking down our hero, but again - thinks the voice in the back of the head - this is only the first part of the season. If Dexter was going to go down, it would not happen yet, and therefore the fear rests not with Dexter but with Quinn. Is he going to implicate himself and do a Doakes? I for one certainly hoped that he would not - Quinn's kinda awesome, and the last thing we want is for repeating storylines to give Showtime an excuse to cancel the show. Again, this is a moving-forward episode: there's a break in the Santa Muerte case that goes wrong, and Dexter struggles with Lumen, but nothing is really developing yet.

In 'First Blood', Dexter begins to worry about Harrison having a dark passenger, though this idea is lost later on in. I'm hoping that it is lost now only to reappear next season, as it is an interesting concept and one that will no doubt provide a wealth of storylines (Harry teaching Dexter teaching Harrison - the irony of the name is not lost here). We begin to understand that Lumen is serious about killing the Barrel Girls men, but is she in the right state of mind to be making any decisions at all? By the time she tries to shoot Robert and is stopped by Dexter I am beginning to grow tired of her sniffling. She needs to man up and get some justice, or at least that's my view.

Deb visits a tattoo parlour with Masuka, one of my favourite comedy moments of the season as he suggests she get a tattoo:
Masuka: 'Hey, since we're here, why don't you get Quinn's name put on your -'
Deb: 'Hey. I have a gun.'
Masuka: 'I'll just wait in the car.'

We also see the supposed departure of Lumen, though it is clear that she is not going to give up without a fight, and when she gets back into the cab we can only wonder what she has planned.

'Everything is Illumenated' marks the halfway point of the season, and is quite a nice pun. Incidentally, the fact that Lumen sounds like Luminol, and that Dexter is a blood expert, is also quite a tidy little pun, but never mind that: this is the episode where things get intense. The scene where Dexter is almost, almost caught by Deb and the gang and JUST manages to escape, setting up the two dead bodies, had me on the edge of my seat. It's the halfway point now and you almost begin to think that hey, they probably could run a trial for six episodes, couldn't they? It's possible that he could get caught now, isn't it? But thankfully, no thanks to Lumen, Dexter makes it, and from this point it is clear that he is committed to helping Lumen - the cost of not doing so could be too much for him to carry. We have a little more on the Liddy storyline and on Santa Muerte, but nothing too important just yet.

Episode seven is 'Circle Us', where we finally meet Jordan Chase fully. Johnny Lee Miller plays this part excellently throughout - he is truly creepy, and actually quite motivational as well. The cold-blooded psychopath is playing the innocent game for now though, as Dexter points Miami Metro in the direction of Boyd to detract attention from Cole, thinking that this will buy him time to get to him himself. We also have the unfortunate ending to the Santa Muerte case, a shoot-out that really seems to serve very little purpose. I appreciate being shown that there are cases that Dexter does not stick his oar into, but since the show is actually called 'Dexter' I felt that a case running for seven episodes and ending with such drama was a bit superfluous, particularly as it now ends without a backwards glance. More Liddy drama building up, as Quinn finds out that Dexter is working with Lumen. From this point I began to respect Harrington as an actor more and more, as some of his scenes with Liddy and Deb are really great stuff, developing him from the cop-with-a-bad-streak of last season.

Their arguing intensifies in 'Take It!', where Liddy has photographs of the dumping of Cole Harman's body. Cole was of course killed during the seminar led by Jordan Chase, in a few scenes that are really quite chilling. Dexter is turning into a hero, Rita and Lumen's avenger rather than the monster he usually associates himself with, coming to Lumen's aid just as she is trapped by the man she is afraid of. LaGuerta suspends Deb etc etc, still not interested in this storyline, beginning to wonder if they're trying to write LaGuerta out for making really stupid decisions. She's becoming her superiors, it seems, and while she and Batista make a good couple she is making less and less sense as the episodes go on.

In 'Teenage Wasteland', we get a bit of a shock. Astor has returned, with quite a large amount of make-up and alcohol, demanding to know who Lumen is and vomiting all over the damn place. Kids these days. Long story short, the outcome is that Astor likes Dexter again, and Olivia's stepdad has been hitting her. The scene where Dexter beats him so that he will leave her alone is the most indicative yet of the change that has come over him this season, and it is not an unwelcome one. Dexter is doing human things! Yay! What Harry says to him in the car, too, must be a pretty large personality turning point. We also realise that Quinn and Deb's relationship is getting pretty deep pretty fast, and that she may even be in love with him (which I can't really blame her for).

We also get our first idea of Emily, whose blood is removed from Jordan's necklace in typical nick-of-time Dexter fashion, and the Boyd case is reopened, spelling trouble for Dexter. Now we're beginning to worry about how he's going to juggle all of these things - finding and killing Lumen's captors, stopping homicide from finding them first, hiding Lumen's true identity, and avoiding Liddy - who he doesn't even know is watching them. Oh no, Quinn, I keep thinking. Do NOT do a Doakes. This episode has my favourite ending so far, as the moment when Jordan Chase says Lumen's name over the phone was pretty damn terrifying - he's onto them! I don't think I've ever gasped as dramatically in my life.

'In the Beginning' is episode ten, and Dexter wisely sends Harrison away to be protected by Astor and Cody and their grandparents. Meanwhile, he must do yet more covering up of mistakes, as the DVD of Lumen must be removed and replaced. Emily is a puppet of Jordan's, as we spine-chillingly discover, and we begin to wonder if this crazy man might actually outwit Dexter and Lumen. But if Trinity couldn't, can Jordan Chase? Well, he almost does - but in an editing twist that was quite spectacular, we discover that Dexter and Lumen are working in a different house as they kill another rapist, meaning that they are quite safe from discovery. Not, however, safe from Liddy, who has been filming it all. Surely, surely with concrete evidence like that, this is the time when Dexter will have to go down?

Either way he ends up sleeping with Lumen, which is quite nice for him, I suppose. Well done, Dexter.

'Hop a Freighter' is next, and with only two episodes left things are heating up. Dexter finally realises that Liddy is filming them, though he still does not know the culprit, nor exactly how badly they have incriminated themselves. On finding that it is Miami Metro surveillance gear, however, he is shocked, and clearly rattled. Is this going to be the episode in which he looks into his sister's eyes, knowing that she knows the truth? Thankfully not, because Liddy is stupid enough to confront a serial killer, and gets himself added to the serial list because of that stupidity. Thus ends one of the greatest threats that Dexter has faced to date. The tension is skillfully built as Quinn arrives, and that little drop of blood is the best foreshadowing since Final Destination 2. The tension continues - we know that Jordan has Lumen, and unbelievably we also see him kill Emily, who had been assumed to be important to him in some way. A little side note - there must be so much of Lumen's hair and various other fibres at all of these crime scenes, but it does not seem at all as if she is going to be caught. Ah, well.

Deb puts together her romantic vigilantes theory, which is terrifyingly close to the truth, and it is clear that she has not fallen out of love with Quinn at all. If only she knew the extent of how he could have been involved in her brother's downfall!

The season finale was titled 'The Big One', and finally aired last night (at the time of typing this). Going into it there were several things to be resolved: Is Quinn going to be framed or get away with it? How will Dexter save Lumen? and, more pertinently, WILL Dexter save Lumen? Those three questions were answered, though only two of them answered satisfactorily. I am not at all happy with the explanation that 'the bloodwork cleared him', because I require more details than that. What did Dexter do? Did he fake something, or just point out that one drop of blood does not a murder make? How on earth would he get away with any of this? Anyway, the Liddy investigation puts a spanner in Dexter's works, though he is so unhurried that I almost begin to think that he has forgotten about Lumen. The boat conversation between Dexter and Quinn is laced with both hidden questions and hidden answers, and added another level of tension to the scene.

Many of the trademark Dexter elements appear in this episode: Deb and Miami Metro are racing against Dexter to find the big bad, Deb is the one leading the investigation, someone Deb loves is in jeopardy, many things are very close to going wrong and yet go down smoothly (such as the moment Lumen is almost discovered by a fruit seller), and also the moment of pure happiness after the kill foreshadows something terrible happening. Remember when Dexter was all happy about getting rid of Trinity, only to find that Rita was dead? Well, this is something similar. When I saw Lumen laughing on the boat and looked at how much time was left in the episode, I knew that she was not going to make it to the end of the season - and indeed, she walks out on Dexter about five minutes before the end. This is something that I don't understand. How can he let her go with all that incriminating knowledge? How can she risk leaving him, knowing that he could incriminate her out of spite?

The three best moments of this episode are the heart-stopping scene where Deb finally catches Dexter in the act, albeit unknowingly, and the act of kindness she shows him by allowing him and Lumen to escape. Just goes to show that all Deb wants is a little love. Then there's the moment that Jordan Chase traces his hand over Dexter's kill tools, pausing at the empty space with a puzzled look for a second before roaring in pain and rage as Dexter stabs him (brilliant acting from Miller again). The third moment comes at the very end, as he tells us 'that nothing is set in stone, not even darkness.' The look on his face as he stares us into the credits is the perfect ending to a great season, and although it is not really a cliffhanger it does promise us that Dexter has not quite softened up yet, and he will be coming back with a vengeance next season.

So, the final verdict? Well, in spite of the flaws such as the boring side-storylines and a few plot holes as to how all this is possible, I think that this is the best season of Dexter yet. The reason? Imaginative ideas have broken Dexter out of his emotionless avenger mode and brought him into a more human frame of mind, a state that we can empathize with - how can we not believe in the pain he feels when Lumen leaves him? The fact that Astor and Cody are soon going to be back in the mix is also promising, and I for one simply cannot wait for season six. Something tells me it's going to be a good one. 4.5/5

Tl;dr? Dexter's awesome.

Wednesday 8 December 2010

Notorious, In The Mood for Love, The Walking Dead S1

A little bit of a change going on from this post - I'm going to start reviewing television dramas, but by season rather than by episode as that would become rather boring. This is largely due to my habit of becoming addicted to shows and watching entire seasons in the space of a day, as happened recently. I would also like to point out that if you like what I'm saying in these posts, there are many ways you can show your appreciation - either by giving the link to someone else, commenting on or subscribing to the blog, or clicking on one of the ads on the site which will lead to me not being quite so poor and therefore able to buy more DVDs. Well, I say that, but to date I've earned 45p, so it may take some time. Still! 45p was enough for four rainbow sherbet sticks with change back in the day, so it's not to be sniffed at.

#1 - NOTORIOUS

Stars - Cary Grant, Ingrid Bergman, Claude Rains, Leopoldine Konstantin

Director - Alfred Hitchcock

Memorable Quote - 'Dry your eyes, baby; it's out of character.'

Review - Ah, it's nice to travel back in time sometimes, isn't it? The tones of this film are wonderful, all soft greys and whites, really quite romantic in the use of light and shadows. The costuming is wonderful also - Grant looks particularly dashing during their horseride, with his casual suit. There were many little goofs in the film, such as the audio not synching with the actor's lips (in one scene, Bergman's lips are not moving at all while she speaks), but these are all things which we may expect more with older films. The dialogue was of course very entertaining, all the back and forth between Bergman and Grant's characters keeping the pace up, and the idea of 'If you had only once said that you loved me' is one that moves the plot forward decisively - and we can't help but groan a little at the stubbornness of both characters that keeps them from admitting it until it is almost too late. The final staircase scene was very much in keeping with Hitchcockian tradition, as was his camero at around an hour in! The famed kissing scene, also, was probably a lot more effective at the time, but I loved the interplay between them and how they egged each other on - whilst one was speaking I was always watching the others' facial expressions ('People will laugh at you, the invincible Devlin, in love with someone who isn't worth even wasting the words on' being the best example of this). All in all, not exactly 'The Birds' but not quite a flop either. 3/5

#2 - IN THE MOOD FOR LOVE (Fa yeung nin wa)

Stars - Maggie Cheung, Tony Leung

Director - Kar Wai Wong

Memorable Quote - 'I can't waste time wondering if I made mistakes. Life's too short for that.'

Review - This is clearly a film with all the credentials of a hit - it won 31 awards, including two at Cannes and a César. They were not undeserved, by any stretch of the imagination: this film is beautifully made, with a distinct touch of that Asian flair that Western filmmakers struggle to emulate. Each shot shows us only what is necessary: for us as an audience, nothing exists of their lives outside of their meetings with one another and their phone calls to their respective partners. Each moment is chosen carefully, and used to the most effect. We see how their lives intersect even before the affairs begin - they pass on the stairs to get lunch, their belongings are mixed up on the day they moved in, they are having the same conversations with their partners. It becomes all the more endearing when they begin to carry out their formulated conversations, going through rehearsals of what will happen if this, what will happen if that, how will they say goodbye. It then becomes sadder when they both go back to the apartments later in life, looking for each other unsuccessfully. It is as if, although they did stay with their partners, they later wish that they had not, which gives the whole thing a more tragic air. The music is wonderfully used to dramatic effect, especially with the repeated themes - this, by the way, being the second very good film that I have seen with 'Perhaps' on the soundtrack, though in this case of course it is 'Quizas'. I definitely recommend it, for the overall feel more than anything else - it is steeped in nostalgia and romanticism, and leaves you wanting to know more. The most fascinating thing for me is that we never see what their absent partners look like, even though we are fully introduced to the lives of less important characters, giving an air of mystery to it all. Worth a watch. 4.5/5

#3 - THE WALKING DEAD SEASON ONE

Stars - Andrew Lincoln, Jon Bernthal, Sarah Wayne Callies, Laurie Holden, Jeffrey DeMunn, Steven Yeun, Norman Reedus, and a whole lot more

Creator - Frank Darabont

Memorable Quote - 'Those doors are designed to withstand a rocket launcher.'
'Well, your head ain't!'

Review - This series begins in a way that some people may find familiar. If you've ever seen '28 Days Later', you're probably scratching your head and wondering how they could get away with producing exactly the same opening idea as the film. Well, I just don't know how they did, but the show is based on a comic book series (which I have not read) and there may be some kind of connection there, though as far as I know '28 Days Later' was not based on a comic. All of that aside, the main character Rick Grimes is a genuine hero, someone that you can easily support as he has just the right mix of righteousness towards saving others, and human desperation towards saving himself and his family. The zombies are also just the right mix of humour and terror - there's no point making a television show too scary and draining it of humour, something the creators seem to understand well. As to the other characters, Glenn is probably the most likeable, Jim the most sympathetic, and Daryl the most intriguing. It was not until the final episode that I realised how cleverly he was introduced - at first it seemed like Merle Dixon was going to be the one to watch out for, but Daryl has easily taken his place as the loose cannon. It just remains to be seen whether Merle will come back, which is probable considering how easily Daryl gave up searching for him: I see vengeance in the future. The big mystery that will tide us over until next series, of course, is what Dr Jenner whispered in Rick's ear, and what impact it will have on their next move. I'm also waiting with bated breath to see the eventual confrontation that must happen between Rick and Shane when he finds out that Shane was making merry with Lori while he was 'dead', because that is going to be one explosive episode for sure. A lot of storyline was crammed in to a very short season, so a lot of loose threads have been left unattended to (where is Merle, how are Morgan and Duane getting on, just why is Dale so attached to Andrea and Amy anyway), but I imagine those things will be dealt with in due course. I know that twelve more episodes have been confirmed, so with a little more time we will hopefully get some real answers. All in all, this was well-produced, fast-paced, and well-scripted/acted, with huge props to the make-up/fx departments because those zombies are killer convincing. Also, riding a horse into a mob of zombies is probably the most badass scene I've witnessed on television in quite some time. 4/5

Saturday 4 December 2010

Cabaret, Maid in Manhattan, Legion

#1 - CABARET

Stars - Liza Minnelli, Michael York, Helmut Griem, Joel Grey, Marisa Berenson

Director - Bob Fosse

Memorable Quote - 'Screw Max.' 'I do!' '... I do too.'

Review - I was ridiculously surprised by this movie! For some reason I expected something trashy and probably annoying, but this is not the case at all. The songs are catchy and contain a lot of... well, subtleties. The song about three people in a bed foreshadows directly the relationship between the three of them. Sally is a little overwhelming at times, but her zest for life and sense of fun is infectious, while Brian is just completely cute all the way through, during his transformation from awkward English gentleman to bohemian tie and hat wearing father-to-be. I loved the scene where he finally snapped - 'For God's sake, I wish you could hear yourself sometimes! I mean, really hear yourself! CHRIST!' The best song had to be 'Money makes the world go round', with that way of performing so that their voices swap in dominance, and the Master of Ceremonies worked brilliantly as a foil, narrator, and entertaining character. The denouement was really quite sad, and the subtle history lesson we were being given was also wonderful. Particularly during the very last scene - suddenly we notice that the club, from which Nazis used to be thrown out, is now full of them. It's creepy, and it's also true to history. This was an enjoyable experience which I wouldn't mind repeating, and which I recommend to anyone else who hasn't seen it yet. If only to remember that Liza Minnelli did once look human. 4/5

#2 - MAID IN MANHATTAN

Stars - Jennifer Lopez, Ralph Fiennes, Natasha Richardson, Bob Hoskins

Director - Wayne Wang

Memorable Quote - 'What we do, Miss Ventura, does not define who we are. What defines us is how well we rise after falling.'

Review - A re-watch here. Ah, December TV! All the old films are back on again. Generally speaking, Bob Hoskins is quite cool, but this is really nothing more than your average rags to riches romance. He's the rich politician, she's the poor maid, how can they ever be accepted by society, etc etc. However, it does seem a little bit like he only decides to be with her in the end to further his political image, since they can't really, honestly be that attached to each other after only two dates, both of which she was lying to him throughout. It is quite ridiculous that a little Hispanic boy would be able to just wander into a press conference like that, also. It's never really going to be brain candy, is it, a film with J. Lo? But still, it's not entirely hateful and unenjoyable - you get to gawk a bit at just how large her bum actually is. 2/5

#3 - LEGION

Stars - Paul Bettany, Lucas Black, Adrianne Palicki, Kevin Durand, Dennis Quaid

Director - Scott Charles Stewart

Memorable Quote - Bob: 'You know this is crazy, right? I mean... I don't even believe in God.'
Michael: 'Well, that's just fine, Bob. He doesn't believe in you either.'

Review - This movie... this movie. There was so much potential in this movie. Anyone says the name 'Paul Bettany' and you know you have to pay attention, since he usually picks great roles, but this fell just short of the mark. First off, the special effects were not very good at all - I was reminded a little of the fire scene in Queen of the Damned, which was badly done by 2002's standards, and it surprised me greatly that they could not come up with something better in 2010. Maybe it was a budget thing, but still - if you can't do something well enough, just take it out of the movie! There were also a hell of a lot of plot holes. Things like, why isn't Michael on lookout since he doesn't have to sleep? Why isn't Michael on the roof since he's the best shot? Why did Michael fly off, leaving that poor boy to climb all the way up the mountain, when he could have given him a lift? Generally there were a million questions that arose from the plot, and the final scene screamed sequel like nothing before. It seemed mostly like half a story, or only part of a story, rather than a whole film in itself, which is really quite wrong, even if it is intended to be part of a series. Also, it was a little strange that all the posters, DVD prints, etc, had Paul Bettany with wings on, when in the actual movie he cuts them off five minutes in. So much potential - so much potential wasted. 3/5